His most recent and most ambitious project, Mandala, reflects his ongoing exploration of
cyclical human experience — the patterns we repeat, the memories that shape us, and the quiet
moments between certainty and doubt. Written, directed by, and starring Behnam himself, the film
began not with a plot but with a single recurring image: a man standing still while the world
rotated around him.
The crew spent three months scouting locations, ultimately choosing transitional spaces — hallways,
thresholds, staircases — that could hold a sense of both intimacy and vastness. Shooting exclusively
with natural light, the production followed the sun itself, working within the narrow window of
winter afternoon light each day, a constraint that became the film's visual signature. Extensive
collaboration on sound design shaped the film's use of silence — not the absence of noise, but a
directed quiet meant to make space for the audience's own feeling.
Read the full story of making Mandala →